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What does it look like when one artist judges the works of other artists and when he investigates, as the art critic and poet Gordana Benić writes, "mysterious connections in art as a space where image and word come together"?
"Impressive! Impressive!" - Pope John Paul II. in front of Dimitri's Crucifixion, 1994.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
A collection of essays by a distinguished Croatian art historian, exploring the symbolism of animals in art, folklore, and mythology, connecting ancient traditions with their reflection in fine art and culture.
Borivoje Dovniković-Borda's School of Animated Film is a classic manual for animation, a fundamental work of Croatian and world cinema, translated into several languages and used as a textbook, for example at the Film Academy in Prague since 1985.