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Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
The work is theoretically based, but also focused on application in literary analysis, which is why it plays an important role in Croatian literary theory and academic teaching.
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
The book brings a selection of literary conversations with prominent Croatian poets and writers who began their creative work in different periods.
A collection of interviews that complements the first book of essays from 1972. As a lecturer in Serbo-Croatian at the University of Bordeaux, Kiš reveals in conversations the core of his "po-ethics" - a morally and aesthetically charged vision of literat
Novica Milić gives Basara the status he deserves - he reads him as a relevant world writer. He "pulls" it out of the bilge of the palanquin and places it on the stage of world literature, where only one thing matters: what and how the writer does with wor