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The disturbing and emotionally exhausting story tells about a painter who, with her artistic passion, opposed the expectations imposed on her by her parents.
This is a manuscript first of all about yourself, about your own connection with the city, but also about the present and past of Berlin, and that then means about the death that is written into the history of a city that, more than others, grew together
The book is composed of 22 chapters, and in the first, introductory chapter, entitled The Ugly Face of Primitivism, Agić explains the reasons and mechanisms of social rejection.
This is a biography about my father made up of memories and mere imagination. History does not exist, and neither do facts. The past is unknown.
The Day of the Locust, which is reminiscent of the Old Testament plague, hovers mythically over the seemingly banal antics of "ordinary people".
As in Velikić's previous novels, the heroes weave analogous and often intertwined destinies of frustrated Central European citizens and intellectuals, the topography is very diverse, but also recognizable.