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In his book, Ivan Trojan directly defines the methodology and goals of the research, which consist of a contemporary literary theoretical reexamination of Milan Ogrizović's original plays and dramatizations.
The book monographically covers the entire puppet theatre in Croatia.
The book by Croatian writer and essayist Živko Jeličić is one of the most influential interpretations of Marin Držić. Jelčić interprets Držić as a writer close to the common people and a critic of the social injustices of the Dubrovnik Renaissance.
In this second part of Actors' Kitchen, Croatian actors and actresses showed how much they know how to enjoy good food, good surroundings, even better company, and also a good drink.