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One copy is available

One copy is available
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The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
He has marked the contemporary era like few others, and his heroes or "heroes" with their emotional and moral dilemmas, weighed down by existential anxiety and news of cataclysms and possible apocalypses, are closer to us than ever.
As much as Foliranti is a story about Kapor's student days in Belgrade in the late fifties, Provincial is a book that evokes memories of his childhood in Sarajevo, where the author spent the first years of his life.
From the opulent courts of France, a story arrives, stronger and more powerful than many told so far. This is her story.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
The Buddenbrooks is not just a family chronicle – it is a profound, melancholic fresco of how time and change inexorably creep into the core of a respectable bourgeois family, bringing with them a downfall that is both tragic and inevitable.