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This book provides an interesting insight into the Museum of Fine Arts in Boston.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
In the artistic and cultural history of the city of Osijek, Ivan Heil was a painter who, as the oldest painter of the second half of the last century, visibly marked it with his work, pedagogical work, and even with his very presence.
