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The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
This is a collection of poetry that explores the inner world of a woman, her feelings, identity, search for meaning, and place in the world.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.