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As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.