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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
In this booklet, the editor Božidar Petrač brings us the Matoš Book of Poems and some of the poems that were not included in the aforementioned collection, such as First Verses, Domovini iz tuđine, Hrastovački Nocturno, Kod kuće, Zvono, Samotna ljubav.
In a haiku poem, we come across transpositions and inversions of common, everyday expressions. The pearls of that poetry are not only sparks in the darkness of life, but also a cognitive breakthrough into its pores.
