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Venedikt Yerofeyev's postmodern prose poem is today considered a classic of new Russian literature. It is compared to Gogol and Kharms for its poetics of absurdity, satire, and metaphysical depth.
The autobiographical prose of Maxim Gorky, who in a series of vivid and poignant images depicts his difficult childhood, youth and wanderings through Russia, encounters with ordinary people, poverty, violence and his first steps in literature.
In his last great novel, Resurrection (1899), Tolstoy combines literary artistry with profound moral and philosophical reflections, making it a key work of his late oeuvre.
The New Crossword is a valuable testimony to Russian society in the turbulent post-revolutionary period – honest, sometimes critical, but always interesting and readable. Today it is appreciated as a fine example of Russian prose of the 1920s.
The Golden Calf (1931) is a brilliant satirical picaresque adventure, a sequel to the legendary 12 Chairs, where the great schemer Ostap Bender returns in full glory – charming, cynical, irredeemably cunning and always one step ahead of everyone else.
Tolstoy interprets the 1905 revolution as a moral upheaval: violence does not bring justice, but a new yoke. He sees lasting liberation in personal conscience, non-violence and Christian love, not in the state and coercion.