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Das Hauptziel des Buches „Einführung in die zeitgenössische Theatrologie“ ist es, der anvisierten Leserschaft einen analytischen Einblick in zeitgenössische Ansätze zum Theater im Kontext zeitgenössischer Ansätze zur Literatur einerseits und zu den darste
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
The collection includes essays and criticisms dedicated to the visual arts, written over several decades. The focus of these texts is on the visual arts, with an emphasis on Croatian and European artists, and on the relationship between art and ideology.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century