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Venedikt Yerofeyev's postmodern prose poem is today considered a classic of new Russian literature. It is compared to Gogol and Kharms for its poetics of absurdity, satire, and metaphysical depth.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
A story from a Zagreb neighborhood patiently, concentratedly, and intelligently unfolds before the reader's eyes.
It is about the world of our Slavonian wastelands, a microspace in which all 60 stories take place. Numerous characters are woven into these stories with their own destinies.