Kodovi identiteta
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Leonida Kovač's discourse is based on the legacy of post-structuralist transgressive textual production: Lacan, Foucault, Kristeva, Deleuze, Guattari, Baudrillard and many others. The influence of Slovenian Lacanian theory and psychoanalytic interest in social performativity is undeniable.
When he approaches the artist (subject/object), he observes him through the contextual possibilities of doubling, hiding and producing identity. A work is something that functions as a symptom: a demonstrative critical appearance (unforced) of the order of Reality, the Symbolic and the Imaginary. That is why she returns to the postmodern discourse the phraseology of the avant-garde, politics and excessive reality: subversion, movement of capital, position of power, change of perception, transgression, symbolic system, usurped reality, digressions, framing, impossible...
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