August Šenoa

August Šenoa (1838–1881), a Croatian writer, poet, novelist, critic, and editor, was born on November 14, 1838, in Zagreb, where he died on December 13, 1881. He is considered the founder of the modern Croatian novel and one of the most significant writers in 19th-century Croatian literature. The period of his activity is known as the Šenoa Era, marked by the flourishing of realist prose and the strengthening of national literature.
He was educated in Zagreb, Pécs, and Prague, where he studied law and became acquainted with European literary and political ideas. Upon returning to Zagreb, he worked as a journalist, theater critic, dramaturg for the Croatian National Theatre, and city senator. From 1874 until his death, he edited the literary magazine Vienac, which, under his leadership, became the focal point of Croatian literary life.
He gained literary renown with the historical novel Zlatarovo zlato (The Goldsmith's Gold, 1871), which is considered the first Croatian historical novel. In it, he depicts 16th-century Zagreb, weaving a love story together with social conflicts and historical events.
This was followed by the novels Čuvaj se senjske ruke (Beware the Hand of Senj, 1875), Seljačka buna (Peasant Revolt, 1877), and Diogenes (1878), in which he explores the relationship between the individual and history, national identity, social injustice, and the struggle for freedom. His final novel, Kletva (The Curse), remained unfinished.
Notable among his short stories are Prijan Lovro (1873), Prosjak Luka (1879), and Branka (1881)—works that offer realistic portrayals of social relations, poverty, education, and the individual's position in society. He also wrote poems, feuilletons, theater reviews, and literary essays.
Šenoa advocated for literature close to the people—literature capable of simultaneously educating, entertaining, and fostering social progress. His style is characterized by vivid characters, dynamic plots, historical authenticity, and a clear moral message.
Through his novels, short stories, and editorial work, he laid the foundations of Croatian realist literature and profoundly influenced the development of national culture and the reading public.
Titles in our offer
Seljačka buna
August Šenoa's historical novel, which was published in Vijenec in 1877, and was published as a book in 1878. The novel is subtitled "Historical Narrative XVI. century" so it can be seen as a historical monograph in the form of a novel.
Seljačka buna
Seljačka buna
The Peasant Revolt is a historical novel by August Šenoa, first published in the magazine Vijenac in 1877. It is one of five novels by August Šenoa and his most important historical novel. The introductory judge was written by Josip Nagy.
Slike i prikazi
Turci idu / Ljubica / Kanarinčeva ljubovca
The book 20 Collected Works of August Šenoa combines three diverse narratives: a dramatic portrayal of fear of the Turkish invasion, a romantic story of unhappy love, and a witty and warm humorous tale about little people and their weaknesses.
Turopoljski top / Prijan Lovro / Zvonar topdžija / Do tri puta bog pomaže / Blijedi mjesec / Kako došlo tako prošlo
The book 18 Collected Works of August Šenoa brings a selection of his most popular humorous, satirical and romantic stories. Vivid pictures of Turopolje, Zagreb and the provinces full of wit, irony and warmth.
Vladimir / Dusi narodne straže
The book 17 Collected Works of August Šenoa combines two thematically different narratives: a romantic love story in Vladimir and an autobiographical, nostalgic portrayal of childhood and revolutionary fervor in 1848 in The Spirits of the National Guard.
Vladimir / Zvonar Tobdžija
Zlatarovo zlato
The first Croatian historical novel - the most Zagreb of all stories. It is a story about the forbidden love of a goldsmith's daughter and a nobleman's son on the historical stage of Zagreb's streets and squares in the sixteenth century.
Zlatarovo zlato
The first Croatian historical novel, the story of the forbidden love of a goldsmith's daughter and a nobleman's son on the historical stage of the streets and squares of Zagreb in the sixteenth century.









