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The collection of poems by Vladimir Vidrić, published by Matica Hrvatska in 1963, edited by Nada Pavičić-Spalatin, brings together the pinnacle of Croatian modern poetry.
The book was edited and the foreword was written by Nada Pavičić-Spalatin.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The collection "Uglavnom adjevjevi" by Hrvoje Jurić brings together ten cycles of poetic sketches and poems.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).