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First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
A study on the activity and contribution of Ivan Kukuljević Sakcinski in the field of art history, as well as on the institutionalization of this profession in the wider framework of historiographical sciences in Croatia in the 19th century.
Various collections unfold from hall to hall of the Archaeological Museum, creating a fresco of Greek civilization whose various artistic expressions merge into an inextricable bond.
Frenk Miller's most original work, an exceptional series of graphic novels set in an imaginary, anxious, sin city.