
Ante Tresić Pavičić
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This is one of the first synthetic analyses of the so-called Croatian fantasy generation (or "Borgesians", "young prose" with elements of fantasy) that appeared in the late 1960s and during the 1970s.
A classic work of Croatian literary historiography. The edition covers the periods from oral tradition to modernism, emphasizing the interference of oral and written literature, sociological context, aesthetic norms, and European connections.
Russian formalism, French New Criticism, post-structuralist American criticism, aesthetics of reception, Marxist criticism
The book provides a thorough chronicle and analysis of centuries-old theatrical contacts between two cities – Osijek and Pécs – which historically shared the cultural space of the Pannonian Plain, especially during the period of the Habsburg Monarchy.
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
The book brings a selection of literary conversations with prominent Croatian poets and writers who began their creative work in different periods.