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In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century
It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
Dali's autobiographical book in which he explains his life and artistic postulates, the complex foundations of his eccentricity and endless surrealist imagination with which he marked the painting of the 20th century.