Looks at the theories about Christian origins and church history suggested in the novel, "The Da Vinci Code," and explains how they ignore or misinterpret the available information as it has been understood in Catholic tradition.
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
Zavod za znanost o književnosti Filozofskoga fakulteta, 1993.