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War-psychological prose set during the Homeland War (1991–1995), with a focus on Slavonia and partly on events in Bosnia. The work belongs to a cycle of prose about the war and women's experiences in it.
The essays collected in this book reveal the origins and meanders of Sanja Lovrenčić's years-long search for the authentic character of Ivana Brlić Mažuranić.
The disturbing and emotionally exhausting story tells about a painter who, with her artistic passion, opposed the expectations imposed on her by her parents.
Selvedin Avdić writes in such a way that the reader can't get rid of the excerpts they have read, and when they read the book to the end, probably on the ex, they unmistakably feel that they have been infected by it.
The book represents the author's anthology - the largest part is the novel Čisla (Čisla), followed by the short story Macedonian Criticism of French Thought and several short stories (Odin vog, Akiko, Fokus-grupa, Gost na prazniku bon).
Combining historical facts with fiction, the author draws us deep into the world of the artist's thin soul, whose vulnerability is caused by his tragic end, but who also possesses an incredible gift to see the divine beauty of the world where others would