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The book is designed as a series of "islands" - individual poems that function independently, but complement each other, forming a thematic whole.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
In his best poems, Stojić skillfully intertwines poetry and a unique engagement.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.