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As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The collection "Uglavnom adjevjevi" by Hrvoje Jurić brings together ten cycles of poetic sketches and poems.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).