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The thirteenth volume of the first edition of Matoš's collected works brings together dramatic attempts and theater and concert criticism from the period 1897–1909, revealing Matoš as an insightful theater critic.
The fourteenth volume of the first edition of Matoš's collected works brings theater and concert reviews from the period 1910–1913, confirming Matoš as a top aesthetician and cultural critic.
The work was created in the context of the Cold War and the strengthening of the Non-Aligned Movement, so the author considers neutrality as a political, legal and historical phenomenon.