Izgubljeni zavičaj / Dolutali metak

The narrator of Lost Homeland as an adult man comes to the island where he spent his childhood and through four stories representing the four seasons (sheep shearing, fishing, grape harvesting, brandy brewing) deals with the problems of time, memory and forgetting. In the center of the text is the subsequent memory of the narrative subject, which destroys the idea of ​​his Arcadian childhood by finding a series of class, gender and ideological fissures in it.