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Canyons of Night (2011) by Jayne Castle (pseudonym Jayne Ann Krentz) is the third and final novel in the "Mirror" trilogy. Typical of Castle/Krentz: a strong heroine, a protective hero, psi-energy, mystery, and light eroticism.
In Florence 1925–1926, in the poor Via del Corno, the residents live in love, poverty and fear. The arrival of fascism destroys the community: lovers fight, some die from violence, but popular solidarity survives.
In "Contempt," screenwriter Riccardo obsessively searches for the reason why his wife Emilia despises and alienates him. In "Agostino," a 13-year-old boy on a summer vacation with his mother experiences a sexual awakening and perceives his mother as a wom
The Bloody Arena (1908) is a naturalistic novel about the rise and fall of bullfighter Juan Gallardo. A poor young man becomes a famous matador, but is destroyed by love, vice, fear, and tragedies in the arena – a critique of Spanish bullfighting and soci
In her cult classic, Helen Fielding writes with wit, self-deprecation, and realism, transforming the everyday frustrations of the modern single woman into a universal comedy about love, self-esteem, and societal pressures.
In typical Scandinavian style, Malin Stehn combines family drama with elements of thriller and psychological suspense, building the story through multiple perspectives and unexpected twists.