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Pero Zubac’s 1989 poetry collection presents a distinctive, melancholic, and intimate lyricism in which motifs of rain, transience, love, and memory are interwoven into rhythmic and emotionally warm verses.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
