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The novel One Hundred Years by Dario Harjaček provides a panoramic view of Trešnjevka and its inhabitants through a century of changes, ideologies, and human destinies – a mosaic of Zagreb in which life, art, and history intertwine.
It is a deeply disturbing text, full of emotions and traumatic experiences of a collapsed, imploded urban individual crying out for the meaning of life.
This is a biography about my father made up of memories and mere imagination. History does not exist, and neither do facts. The past is unknown.
Kreutzer's sonata belongs to those works of Tolstoy that the writer adapted in many ways to his view on moral issues, on marital morality above all.
Selvedin Avdić writes in such a way that the reader can't get rid of the excerpts they have read, and when they read the book to the end, probably on the ex, they unmistakably feel that they have been infected by it.
This is a manuscript first of all about yourself, about your own connection with the city, but also about the present and past of Berlin, and that then means about the death that is written into the history of a city that, more than others, grew together