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The novel belongs to Majdak's cycle of existentialist prose, which allegorically addresses the problems of life in an urban environment.
A tipsy cabaret dancer from the Picratt nightclub entered the police station and excitedly announced that she had heard two men at the next table in the bar conspire to kill a countess, an unknown countess.
Anna Taggert, a graduate of one of the most prestigious American universities, wanted to be a teacher from an early age. To encourage young minds to think and push boundaries.