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The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.
In the novel, the author describes and comments on domestic socio-political phenomena with dark humor and criticism, almost vaudeville-like, while using a good deal of lively and juicy Međimurje speech.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a kick in the ass to God, Man, Fate, Time, Love, Beauty...whatever you want.
From the opulent courts of France, a story arrives, stronger and more powerful than many told so far. This is her story.
This work of great momentum and ambition follows numerous striking characters from Afghanistan to Paris and from San Francisco to the Greek island of Tinos, and tells their touching and irresistible stories.