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The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
Although initially banned in Saudi Arabia, this novel raised a lot of dust and sparked many discussions, lawsuits, and even protests, and became an absolute bestseller in the Middle East, and now in the West.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
What it's like to grow up in a family where roles are mixed up, can be told by teenager Viktorija, who sometimes acts as a mom to her mother. How is that possible?
"The Blue Lagoon" is a tender, sensual story about the sexual awakening of a young man and a girl growing up on a deserted island.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a kick in the ass to God, Man, Fate, Time, Love, Beauty...whatever you want.