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The first part of Barč's history of Croatian literature provides an overview of the Illyrian movement, its writers, ideas and cultural significance in the period from the national revival to the creation of the Yugoslav state.
Šoljan was perhaps the last utopian who believed in literature as a value, as he himself emphasized, and accordingly, he was a truly engaged writer in an artistic and cultural sense, not in a political sense.
What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.
This student handbook is the most comprehensive presentation to date of the literary heritage of the Bay of Kotor in the early modern period, from the late Renaissance to the Baroque, in which the authors offer a chronological and thematic overview of the
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
With the works of G. Agamben, tradition is acknowledged to have a role in the transmission of a linguistic or cultural phenomenon from the past to the present, but the transmission is no longer in the service of the return of the same but, paradoxically,