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This extensive 438-page work analyzes the reception and critical reviews of the work of one of the most significant Croatian poets, Tin Ujević, within the Yugoslav literary space.
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
The book brings a selection of literary conversations with prominent Croatian poets and writers who began their creative work in different periods.
The interpreter of the bird's flight or the performance of the novel is an experimental and genre-hybrid text that plays with the boundaries between novels, essays and diary entries.
The status of the lyrical subject in the canzonier of Đora Držić
The first third of the book provides reviews of Russian literature (Chekhov, Ljeskov, Pushkin...). The second chapter deals with world literature (Balzac, Stendhal, Roland...), and the third chapter contains general articles.