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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Along with the Critique of the Pure Mind and the Critique of the Practical Mind, this third major work of Kant's is one of the cornerstones of his philosophical building, but it also rounds off his entire view of the world.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
