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The author deals with questioning the perspective. From the usual consideration of perspective as an optical and symbolic problem, it enters a wider interdisciplinary intellectual structure typical of the contemporary approach to cultural problems.
Painting-sculpture-architecture-applied arts.
In this book, the very concept of Romanesque and Romanesque art is questioned, its roots are explored, and above all, its historiographic genesis is placed in the peculiar cultural context of the first half of the 19th century.
The book - monograph comes from the "Museums of the World" book edition and deals with the art stored in the National Museum in Tokyo, the largest art museum in Japan and one of the largest art museums in the world.