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The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
Fra Martin Nedić was the first Bosnian Illyrian, one of the fathers of the Illyrian movement, a leading intellectual of his time, a church diplomat, a Franciscan friar, a builder, an educator, a historian and a writer.
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.