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Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
This is a collection of poetry that explores the inner world of a woman, her feelings, identity, search for meaning, and place in the world.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.