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Ksenija Kantoci has been exhibiting since 1939. She works in wood, bronze and terracotta. Her exhibition in Zagreb in 1955 is particularly significant for the new trends in Croatian sculpture opposed to socialist realism.
The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie
The book depicts the development of a Bosnian bey family that, throughout the 19th and 20th centuries, transformed from a landowning family into a modern bourgeois family, reflecting broader social changes in Bosnia and Herzegovina.
A poetic travelogue with extraordinary photographs about a spiritual encounter with the Holy Mountain of Athos. A joint work of Belgian writer Freddy Derwahl and German photographer Hans-Günther Kaufmann.
Edited by Mirjana Tepšić, this collection brings together authentic stories, legends, and oral traditions from the Adriatic islands, preserving the rich cultural and historical heritage of the Croatian archipelago from oblivion.
A critical essay and exhibition preface in which Miroslav Krleža celebrates Croatian cultural heritage, identity, and centuries-long resistance to foreign influences through the history of sacred gold and silver from Zadar and Nin.