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The book is still required reading at philological faculties today because it systematically connects language with literature and social context for the first time. It is written clearly, without ideological exclusivity, which was a rarity in 1990.
It is difficult, and it seems even impossible, to find a sufficiently comprehensive title to present a work as complex as this combination of a musical lexicon, a guide through symphonic, oratorio, chamber and opera music.
The book presents a Marxist analysis of the digital age, where technology is not a neutral tool, but a process subject to the logic of capital. The author advocates a 21st century democratic socialism: technology for needs, not profit.
The author used various research methods, such as field work, interviews with local residents, study of written sources and other relevant materials.
The author explores why Tito remains a popular symbol of stability, social security and independence, despite critical views of his regime. The book maps the cultural, political and everyday manifestations of "Titostalgia".
Theoretical sciences, technological revolution and contemporary society