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The book by Split writer and political scientist Nebojša Lujanović (born 1981 in Novi Travnik) is an intriguing polemic against the ideological abuses of Ivo Andrić, especially the nationalistic readings of his work from the Bosnian, Serbian and Croatian
The third person singular is a very complicated and somewhat tricky stylistic device because all the characters in the novel are actually the author himself, and none of them are.
The book is structured as a series of poems that function like rooms in a "motel" – temporary spaces where emotions, memories, and anonymous human destinies are stored.
The collection "Confession and Other Stories" brings together lesser-known, but extremely valuable, short stories by Andrić, written mainly in the period 1920–1940, some of which were only published posthumously.
Emina Kovačević (b. 1995, Jablanica, raised in Mostar) debuted with the collection Poems from a UNICEF Notebook. The title alludes to the blue UNICEF notebook from her childhood – a symbol of humanitarian aid, the post-war period, and her first writing.
