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The poetry collection "Night" (1964) by Oto Šolc occupies a central place in Šolc's work, connecting his early narrative phase with his later reflective works.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
In Leskarc's poems, we will quickly find themes about art and creativity, the Croatian language and folk customs, and national heritage.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.