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Josip Mihaljević's book analyzes the relationship between the government and the individual in communist Croatia (1958–1972), through repressive mechanisms, ideological pressures, and restrictions on personal freedom in the socialist system.
The book is deeply rooted in the local history and culture of Osijek, with an emphasis on cemetery motifs that serve as a metaphor for memory, death, and disappearance.
Shaping of the doctor's professional identity in the second half of the 19th century resulted in the establishment of the Society Slavonian doctors in Osijek in 1874.
