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The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
The work deals with the question of the meaning of art in an age when traditional values and aesthetic canons are being questioned.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
In this book, Lucy Lippard examines the predecessors of Pop Art and similar styles. In the second chapter, he talks about pop art in New York.
The collection includes essays and criticisms dedicated to the visual arts, written over several decades. The focus of these texts is on the visual arts, with an emphasis on Croatian and European artists, and on the relationship between art and ideology.