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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Dževad Karahasan (1953–2023), a Bosnian-Herzegovinian essayist and theater scholar, fills the void of the lack of interest in drama and theater in contemporary literature in his collection Dnevnik melankolije.
This book explores various aspects of modern art, offering readers insight into key art movements, artists and their works through humor.