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The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
Dževad Karahasan (1953–2023), a Bosnian-Herzegovinian essayist and theater scholar, fills the void of the lack of interest in drama and theater in contemporary literature in his collection Dnevnik melankolije.
Various collections unfold from hall to hall of the Archaeological Museum, creating a fresco of Greek civilization whose various artistic expressions merge into an inextricable bond.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.