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Das Buch besteht aus 22 Kapiteln, und im ersten, einleitenden Kapitel mit dem Titel „Das hässliche Gesicht des Primitivismus“ erklärt Agić die Gründe und Mechanismen der sozialen Ablehnung.
Das Werk basiert auf einem wahren Ereignis, das sich 1933 in Spanien ereignete: Aurora Rodriguez tötete ihre Tochter Hildegart, eine berühmte Kämpferin für die Emanzipation der Frauen und eine Kultfigur in der damaligen politischen Szene.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.
In The House Where the Devil Dwells, Tribuson also thematizes the time of new poverty, crazy jokes on the way to earning money, usury, jealousy, revenge, strikes, and murders.
Melanie Gideon, an American writer known for her humorous novels about family dynamics, dissects the monotony of marriage in the age of social media in The Marriage Trap (2012).
The disturbing and emotionally exhausting story tells about a painter who, with her artistic passion, opposed the expectations imposed on her by her parents.