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The poetry collection "Night" (1964) by Oto Šolc occupies a central place in Šolc's work, connecting his early narrative phase with his later reflective works.
A piano usually has 88 keys, 52 white and 36 black, from which 88 tones emerge. A pianist usually reads 88 notes. These 88 micro-proses simultaneously constitute one piano and one piano concerto.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.