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The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
Fra Martin Nedić was the first Bosnian Illyrian, one of the fathers of the Illyrian movement, a leading intellectual of his time, a church diplomat, a Franciscan friar, a builder, an educator, a historian and a writer.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
Short, rhythmic, playful and humorous poems portray the world from a child's perspective, simultaneously entertaining and gently teaching.
In his best poems, Stojić skillfully intertwines poetry and a unique engagement.