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The Anthology of Recent Serbian Poetry, edited by Bogdan Popović in 1911, represents one of the most significant works of Serbian literary criticism and anthological practice.
The collection Ukleti dažd marks a transition towards a more introspective and melancholic expression. Unlike previous collections that celebrated love and nature, this collection is imbued with darker tones, expressing feelings of sadness and existential
The Slavonian poet of silence, Romeo Mihaljević, finds paths to a poem in which the strongest power is precisely what is not said, but what is present.