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The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
"A novel that reveals to you the secrets of Mileva's heart, her thoughts and the passionate spirit of a scientist - a woman fighting for her place in the world of science ruled by men."
A story from a Zagreb neighborhood patiently, concentratedly, and intelligently unfolds before the reader's eyes.
"The Blue Lagoon" is a tender, sensual story about the sexual awakening of a young man and a girl growing up on a deserted island.
The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a kick in the ass to God, Man, Fate, Time, Love, Beauty...whatever you want.