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Inšalh, Madonna, Inšalah by Miljenko Jergović is a collection of stories whose richness of motifs and emotions branches out like carved ivory – in each story a story, in each destiny an entire world.
The story of Gogol is a story of tragic talent, mysticism and madness, of a manuscript that burned, of a nose and an overcoat, of an auditor and dead souls.
The book is not a novel, but a collection that mixes short stories, drama, and essay fragments, with a focus on death, power, and existential dilemmas.
F. Scott Fitzgerald, the messenger of a lost generation, paints a portrait of the era between the two wars in this collection of eleven stories: hedonism that bites, moral decay that intoxicates, and youth that burns like fireworks.
The book contains about twenty stories connected into one whole by the main character (the writer Oskar). It is, therefore, a kind of novel that, through intimate confessions, actually talks about the loneliness of the modern intellectual.