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The book provides a thorough chronicle and analysis of centuries-old theatrical contacts between two cities – Osijek and Pécs – which historically shared the cultural space of the Pannonian Plain, especially during the period of the Habsburg Monarchy.
The first third of the book provides reviews of Russian literature (Chekhov, Ljeskov, Pushkin...). The second chapter deals with world literature (Balzac, Stendhal, Roland...), and the third chapter contains general articles.
This is one of the first synthetic analyses of the so-called Croatian fantasy generation (or "Borgesians", "young prose" with elements of fantasy) that appeared in the late 1960s and during the 1970s.
A fundamental work of Croatian methodological science that explores the theory, goals, and methods of teaching literature, connecting the pedagogical, psychological, and aesthetic aspects of literary education.
The status of the lyrical subject in the canzonier of Đora Držić
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.