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Fra Martin Nedić was the first Bosnian Illyrian, one of the fathers of the Illyrian movement, a leading intellectual of his time, a church diplomat, a Franciscan friar, a builder, an educator, a historian and a writer.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
In his best poems, Stojić skillfully intertwines poetry and a unique engagement.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.