Miodrag Bulatović
srpski književnik (Okladi kraj Bijelog Polja, Crna Gora, 20. II. 1930 – Igalo, Crna Gora, 15. III. 1991). Autor romana i pripovijedaka; publicist. Proza mu je s jedne strane pod utjecajem andrićevske poetike, a s druge strane avangardne književnosti. Njegov je pripovjedni svijet uokviren fantastičnim i bizarnim, s bujnom retorikom i snažnim slikama. Djela su mu prevedena na sve svjetske jezike. Važnija djela: Đavoli dolaze (1955), Vuk i zvono (1958), Crveni petao leti prema nebu (1959), Heroj na magarcu (1964), Ljudi sa četiri prsta (1976), Rat je bio bolji (1977), Peti prst (1977); Sabrana dela (I–VII, 1983).
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Đavoli dolaze
In Miodrag Bulatovićs Roman „Die Teufel kommen“ treffen Groteske und Phantasmagorie auf die Realität eines Balkandorfes. Mittels Symbolik, Ironie und schwarzem Humor schildert der Autor den moralischen Verfall, den Wahnsinn und das Böse, das nicht außerha
Gullo Gullo
Gullo Gullo ist ein grotesk eindringlicher Roman über den moralischen und spirituellen Verfall eines Menschen. In einer Welt voller Gewalt, Angst und Absurdität irrt die Hauptfigur zwischen Leben und Tod, Gut und Böse umher, auf der Suche nach Sinn in ein
Gullo Gullo
Wie in den Romanen „Menschen mit vier Fingern“ und „Der fünfte Finger“ beschäftigt sich Miodrag Bulatović auch in diesem Buch mit der monströsen Tragödie von Emigranten, Menschen außerhalb aller Welten, also Menschen, die ihrem Volk, ihrer Herkunft, ihrem
Jahač nad jahačima
A novel about the absurd, power and downfall of a man obsessed with greatness. In a symbolic, grotesque world, the author exposes the cruelty of power and madness in which ambition and fear blur the line between man and beast.
Rat je bio bolji
Conceived and realized as a separate entity, this novel can also be interpreted as the second part of the book "The Hero on the Donkey." To a greater extent than in "The Hero," here the war "which was better" is depicted as a gigantic burlesque and a pool
Sabrana dela V: Rat je bio bolji
Conceived and realized as a separate unit, this novel can also be interpreted as the second part of the book "A Hero on a Donkey". To a greater extent than in "Hero", here the war "which was better" is presented as a giant burlesque and as a pool of demon